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生命与精神的延伸无外两个方向：向外交流向内自处。当生活节奏阻断深度沟通、媒体信息扰乱内观自省，人们往往更会依靠外物因素来平衡精神世界。而酒精与尼古丁的摄取，随血液流淌漫散周身，再通过个体传递，形成理想的社交氛围，在无形中搭建了一个跳脱出日常情绪空间和感官堡垒，便形成了一方不拘于现实的精神归隐地。
The extension of life and spirit has no outward direction: toward diplomacy flows inward. When the pace of life blocks deep communication and media information disrupts Vipassana introspection, people tend to rely more on external factors to balance the spiritual world. The intake of alcohol and nicotine, along with the flow of blood spread throughout the body, and then through the individual transmission, forming an ideal social atmosphere, virtually build a jump out of the daily emotional space and sensory fortress, and form a spiritual retreat from reality.
本案由大亦设计团队主笔，设计师模仿烟酒的作用路径，将烟圈、幻视等图景具现于设计中，定格稍纵即逝的烟酒氛围，形成凝固生动的空间表达，通过丰富的视觉化演绎将一域主营烟酒的商业空间打造为城市中的精神庇护所。
This case is led by the design team of DAED design and research. The designer imitated the action path of tobacco and alcohol, embodied the images such as smoke rings and visions in the design, frozen the fleeting atmosphere of tobacco and alcohol, formed a solidified and vivid spatial expression, and built a commercial space mainly engaged in tobacco and alcohol into a spiritual shelter in the city through rich visual interpretation.
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如烟圈弥散，室内场景基于场地的特征徐徐展开。由于建筑本身为圆弧形的不规则空间，内部又分布多个沉重柱体，设计师便基于沉重柱延伸创意，以柱中心为参照点设置陈列展台，将原本硬件条件的桎梏巧妙转化为空间的点睛之笔。
If the smoke ring disperses, the indoor scene unfolds slowly based on the characteristics of the site. Since the building itself is a circular irregular space, and a number of heavy columns are distributed inside, the designer extended his creativity based on the heavy column, and set up a display booth with the center of the column as a reference point, transforming the shackles of the original hardware conditions into the finishing touch of the space.
空间不仅在布局上凸显了多元意象，亦在功能上有所延展，自然形成的访客动线让人如流连于艺术展廊，亦步亦趋间沉入空间的情绪基调之中。
The space not only highlights the multiple images in the layout, but also extends in the function. The naturally formed visitor movement line makes people linger in the art gallery and sink into the emotional tone of the space.
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环顾空间，大大小小、层层叠叠的圆和环错落分布，各自独立也彼此联动，增添了项目的趣味性与视觉的层次感。
Looking around the space, large and small, overlapping circles and rings are scattered, each independent and linked to each other, adding the project's interest and visual sense of hierarchy.
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设计师将对“贝果主义”思考隐藏于圆环之间，“贝果主义”即当下社会环境中，每个个体都面临着繁复的精神刺激、信息过载以及情感煽动，如同是圆环形的贝果面包，看似充实，核心却是空洞。中空的圈环正如某个时刻突然袭来的空虚感，在烟草的催动下变为缓慢扩散的淡淡烟圈。
The designer hides the thinking of "baggoism" between circles, "baggoism" that is, in the current social environment, every individual is faced with complicated mental stimulation, information overload and emotional agitation, like a round bagel bread, seemingly full, but the core is empty. The hollow ring is like a sudden feeling of emptiness at some point, which becomes a slow spreading light smoke ring under the impetus of tobacco.
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醺醉的情绪，如思想蒸腾为雾气倒映于天空，正像诗句“醉后不知天在水,满船清梦压星河”。为了将此幻梦具化，设计师选用乌银色镜面铺设天花板，与黑色反光大理石地砖形成辉映，让真实空间成为镜像空间的“夹层”，在颠倒和对称的镜像视觉里，交织成光影交叠的景象。
Drunk emotions, such as thoughts transpiration into the fog reflected in the sky, just as the poem "drunk do not know the day in the water, full of ships clear dream pressure star river." In order to embody this fantasy, the designer chose black silver mirror to lay the ceiling, and form a glow with black reflective marble floor tiles, so that the real space becomes the "mezzanine" of the mirrored space, in the inverted and symmetrical mirror vision, interwoven into the scene of light and shadow.
嵌于天花板上的圈环状灯带，如梦境中渐次散去的縠波，与依附于弧形墙壁和置物柜的光源，共同搅动思绪的微澜，将情绪起伏的动态场景定格下来。
The annular bands of lights embedded in the ceiling, like the fading waves in a dream, and the light sources attached to the curved walls and lockers, stir the mind and settle the dynamic scene of emotional ups and downs.
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“孤独的灵魂都需要酒”，也许烟与酒的本质即是情绪的解药，由烟草与酒精所催生的安定感与沉淀感，恰恰是构思故事、蕴生文学的沃野。大亦设计选取“庇护所”为设计主旨，即是希望将空间打造为收容迷思、排解孤寂、安放情绪的暖房，让游离于城市的失向精神在外物的庇护下，穿跃情绪的迷雾，无限延伸至触及生命更本质的内核。
"The lonely soul needs wine", perhaps the essence of tobacco and alcohol is the antidote to emotions, the sense of peace and precipitation generated by tobacco and alcohol is precisely the fertile field for the conception of stories and the accumulation of literature. DAED design and research chooses "shelter" as the design theme, that is, it hopes to build the space into a conservatory to contain myths, relieve loneliness, and place emotions, so that the lost spirit wandering in the city can leap through the fog of emotions under the shelter of external objects, and extend indefinitely to touch the more essential core of life.
如烟圈弥散，室内场景基于场地的特征徐徐展开。由于建筑本身为圆弧形的不规则空间，内部又分布多个沉重柱体，设计师便基于沉重柱延伸创意，以柱中心为参照点设置陈列展台，将原本硬件条件的桎梏巧妙转化为空间的点睛之笔。
环顾空间，大大小小、层层叠叠的圆和环错落分布，各自独立也彼此联动，增添了项目的趣味性与视觉的层次感。
设计师将对“贝果主义”思考隐藏于圆环之间，“贝果主义”即当下社会环境中，每个个体都面临着繁复的精神刺激、信息过载以及情感煽动，如同是圆环形的贝果面包，看似充实，核心却是空洞。中空的圈环正如某个时刻突然袭来的空虚感，在烟草的催动下变为缓慢扩散的淡淡烟圈。
醺醉的情绪，如思想蒸腾为雾气倒映于天空，正像诗句“醉后不知天在水,满船清梦压星河”。为了将此幻梦具化，设计师选用乌银色镜面铺设天花板，与黑色反光大理石地砖形成辉映，让真实空间成为镜像空间的“夹层”，在颠倒和对称的镜像视觉里，交织成光影交叠的景象。
“孤独的灵魂都需要酒”，也许烟与酒的本质即是情绪的解药，由烟草与酒精所催生的安定感与沉淀感，恰恰是构思故事、蕴生文学的沃野。大亦设计选取“庇护所”为设计主旨，即是希望将空间打造为收容迷思、排解孤寂、安放情绪的暖房，让游离于城市的失向精神在外物的庇护下，穿跃情绪的迷雾，无限延伸至触及生命更本质的内核。